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	<title>Comments on: Green With Envy - My Hollowbody Parts Bass, Pt. 1</title>
	<link>http://www.hollowbodybass.com/brandons-basses/greenburst-hollowbody-bass-1.htm</link>
	<description>Online Community for Hollowbody, Semi-Hollow and Chambered Basses</description>
	<pubDate>Sun, 23 Nov 2008 12:04:46 +0000</pubDate>
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		<title>by: ken</title>
		<link>http://www.hollowbodybass.com/brandons-basses/greenburst-hollowbody-bass-1.htm#comment-3197</link>
		<pubDate>Wed, 21 Nov 2007 15:52:30 +0000</pubDate>
		<guid>http://www.hollowbodybass.com/brandons-basses/greenburst-hollowbody-bass-1.htm#comment-3197</guid>
					<description>That is the coolest idea. Since I saw this, I've been looking around on eBay for old project guitars with bolt-on necks, wondering if I could do something similar. I play left-handed, which makes this idea even more exciting.</description>
		<content:encoded><![CDATA[<p>That is the coolest idea. Since I saw this, I&#8217;ve been looking around on eBay for old project guitars with bolt-on necks, wondering if I could do something similar. I play left-handed, which makes this idea even more exciting.
</p>
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		<title>by: Brandon</title>
		<link>http://www.hollowbodybass.com/brandons-basses/greenburst-hollowbody-bass-1.htm#comment-182</link>
		<pubDate>Thu, 19 Apr 2007 14:40:47 +0000</pubDate>
		<guid>http://www.hollowbodybass.com/brandons-basses/greenburst-hollowbody-bass-1.htm#comment-182</guid>
					<description>Thanks Matt. I had considered doing a simple blend pot where the switch hole is, but you're right - the hole is too large. Although all this talk of series/parallel and chicken-head knobs really has the gears turning. 

I think I may end up fashioning a circular plate (of pickguard material) to cover the hole. I'll email you for the wiring diagram once I figure out how I'm going to mount the rotary switch.</description>
		<content:encoded><![CDATA[<p>Thanks Matt. I had considered doing a simple blend pot where the switch hole is, but you&#8217;re right - the hole is too large. Although all this talk of series/parallel and chicken-head knobs really has the gears turning. </p>
<p>I think I may end up fashioning a circular plate (of pickguard material) to cover the hole. I&#8217;ll email you for the wiring diagram once I figure out how I&#8217;m going to mount the rotary switch.
</p>
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		<title>by: Matt Farrow</title>
		<link>http://www.hollowbodybass.com/brandons-basses/greenburst-hollowbody-bass-1.htm#comment-181</link>
		<pubDate>Thu, 19 Apr 2007 00:46:44 +0000</pubDate>
		<guid>http://www.hollowbodybass.com/brandons-basses/greenburst-hollowbody-bass-1.htm#comment-181</guid>
					<description>Man, you come up with the coolest combos!  I've got a suggestion re: wiring scheme.  With the holes you've got already, the obvious answer is volume / tone, with a 3-way toggle switch on the lower horn.  Normally I'd suggest a 4-way rotary on the cutaway but the hole will be too big (1/2" instead of the 3/8" for the rotary.)  So I'd probably do a pull-pot on the tone control to put the pickups in series.  You could also do a phase switch on the volume pot but that's not really useful for bass.  If you can dig up a washer that will make up the difference, the 4-way switch with a chicken-head knob (white, of course!) would be perfect.  Bridge, neck+bridge in parallel, neck, neck+bridge in series will get you a great assortment of tones without being overly complicated.  Hit me up for a wiring diagram.

Matt Farrow</description>
		<content:encoded><![CDATA[<p>Man, you come up with the coolest combos!  I&#8217;ve got a suggestion re: wiring scheme.  With the holes you&#8217;ve got already, the obvious answer is volume / tone, with a 3-way toggle switch on the lower horn.  Normally I&#8217;d suggest a 4-way rotary on the cutaway but the hole will be too big (1/2&#8243; instead of the 3/8&#8243; for the rotary.)  So I&#8217;d probably do a pull-pot on the tone control to put the pickups in series.  You could also do a phase switch on the volume pot but that&#8217;s not really useful for bass.  If you can dig up a washer that will make up the difference, the 4-way switch with a chicken-head knob (white, of course!) would be perfect.  Bridge, neck+bridge in parallel, neck, neck+bridge in series will get you a great assortment of tones without being overly complicated.  Hit me up for a wiring diagram.</p>
<p>Matt Farrow
</p>
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